Home > Exhibitions - Past
- EXCHANGE GALLERY: Celebration - Belfast Exposed Photographic Archive
- 10/12/11 - 01/01/12
- Contraband - Taryn Simon
- 28/10/11 - 30/12/11
- EXCHANGE GALLERY: Men and my Daddy - Adam Patterson
- 30/09/11 - 28/10/11
- Silent, Empty, Waiting for the Day - Mary McIntyre
- 02/09/11 - 14/10/11
- Polonia and Other Fables - Allan Sekula
- 08/07/11 - 19/08/11
- 'the soil and the atmosphere' -
- 07/05/11 - 18/06/11
- EXCHANGE GALLERY: Will we be there? - Zoe Hamill, David Mann and Brian Morrison
- 28/04/11 - 28/05/11
- Secret Satellites - Group Show
- 19/03/11 - 30/04/11
- Make it new John - Duncan Campbell
- 21/01/11 - 04/03/11
- Taryn Simon
- 28 October to 30 December 2011
Taryn Simon's photographs chronicle contradictory aspects of American identity while exposing the veiled mechanisms of society. Contraband expands on the earlier series An American Index of the Hidden and Unfamiliar (2007), which explored the covert intersection between private and public domains. For five days in November 2009, Simon lived at John F Kennedy International Airport, which processes more international passengers than any other airport in the United States. The exhaustive pace at which she photographed paralleled the twenty-four hour rhythm by which goods move across borders and time zones. Contraband includes 1075 photographs of over 1000 items detained or seized from passengers and from express mail entering the U.S. from abroad. Simon used a labor-intensive, forensic photographic procedure to document a broad array of forbidden items, including the active ingredient found in Botox, counterfeit clothes and designer accessories, pharmaceuticals, jewelry, overproof Jamaican rum, drugs, items made from endangered species, Cuban cigars, animal parts, pirated DVDs, khat, gold dust, GBL (date rape drug), cow-manure tooth powder, and steroids.
Cataloguing such an enormous amount of material in a limited period of time, emerging patterns reveal a comprehensive cross-section of international commerce, exposing the desires and demands that drive the international economy as well as the local economies that produce them. Simon photographed each item against a neutral grey background, producing an 'objective'scientific record, devoid of context. Removed from the individual passengers belongings, each item loses its distinguishing personal associations and is transformed into an artifact of the larger global network. For Simon, contraband can also infer danger, raising questions about what is officially considered to be a threat to authority and security in contemporary society.â€¨
This exhibition is accompanied by a fully illustrated catalogue with a text by Hans Ulrich Obrist, Director of International Projects at the Serpentine Gallery, London. It is published by Steidl.
Taryn Simon was born in New York in 1975. Simon's photographs and writing have been the subject of monographic exhibitions at institutions including Tate Modern, London (2011); Neue Nationalgalerie, Berlin (2011); Whitney Museum of American Art, New York (2007); Museum fur Moderne Kunst, Frankfurt (2008); Kunst-Werke Institute for Contemporary Art, Berlin (2004); and P.S.1 Contemporary Art Center, New York (2003). Permanent collections include Metropolitan Museum of Art, Tate Modern, Whitney Museum, Centre Pompidou, and the Los Angeles Museum of Contemporary Art. In 2011 her work was included in the 54th Venice Biennale. A graduate of Brown University and a Guggenheim Fellow, Simon has been a visiting artist at Yale, Columbia, Bard College, School of Visual Arts, and Parsons School of Design. She has produced several books of her photographs and writing, including "Contraband" and "An American Index of the Hidden and Unfamiliar", both published by Steidl, "The Innocents", published by Umbrage and "A Living Man Declared Dead and Other Chapters", published by Mack Books and the Neue Nationalgalerie, Berlin.
CONTRABAND at Belfast Exposed is supported by the Arts Council of Northern Ireland and Belfast City Council. All works provided for exhibition courtesy of Gagosian Gallery.