Belfast Exposed

Exhibitions

28th Nov - 2nd Dec

This is Me – in partnership with TESSA

We are proud to present 'This is Me', an exhibition in partnership with TESSA (Therapeutic, Education and Support Services i...

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14th Nov - 18th Nov

Type 1 Through the Lens – with Diabetes UK Northern Ireland

This World Diabetes Day [14th November], Diabetes UK Northern Ireland will unveil a unique photography exhibition that captur...

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Community

25th Sep - 7th Oct

Young People Behind the Lens

Over the summer, a group of young people from Start 360 explored the cityscape of Belfast. They found new ways to see the...

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21st May - 22nd May

Showing the faces of dementia with Alzheimer’s NI

Ahead of the Alzheimer’s Society Annual Conference 2019 (ASAC19), Belfast Exposed was commissioned by Alzheimer’s NI to w...

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Trees from Germany

Bookshop

Author

John Duncan

Publisher

Belfast Exposed Photography

Cost

£10.00

ISBN

0-9524217-1-2

About The Book

In November 2002, Belfast Exposed Photography commissioned John Duncan to produce a photographic work of Belfast post-conflict on the threshold of progress.

Duncan has spent five years photographing the impact of regeneration brought about by renewed economic confidence in the city. In this work Duncan explores some of the realities of the apartments, hotels and offices that have now been built and in particular how they interface with pre-existing aspects of the city.

In an image central to the work we see a twelfth of July bonfire competing for space on the skyline with the newly erected Days Hotel. In the next image at the front of the hotel a new lawn is being rolled out towards the mural that declares ‘You are now entering Loyalist Sandy Row’. The photographs go on to reveal the gated compounds and private gardens inside the new apartment complexes that offer sanctuary to some of the cities residents. Alongside these are photographs of those parts of the city where traditional sectarian interfaces are still being reinforced. In one image we see a new town house enclosed on one side by a succession of fences. These start with a wooden garden variety and rise to a two storey steel mesh construction that marks this out from other more standard suburban developments. Through the work Duncan presents us with a detailed account of the current phase in Belfast’s evolution.