Belfast Exposed

Exhibitions

4th Jan - 27th Feb

Street View: Tristan Poyser

Belfast Exposed is delighted to present Street View: Tristan Poyser which features two projects - The Invisible In-between: ...

Read More
5th Nov - 30th Nov

Street View: Jill Quigley

Belfast Exposed is delighted to launch ‘Street View’ on Thursday 5th November - a digital gallery space of curated exhibi...

Read More

Community

12th Nov - 10th Jun

Young Futures 2020/21

The ‘Young Futures’ programme, funded by Children in Need & Foyle Foundation, focuses on growing the next generation ...

Read More
17th Jan - 5th Feb

Ballybeen Women’s Centre

Belfast Exposed has been engaging with a group of older women from Ballybeen Women’s Centre on a photography project reflec...

Read More

Afghanistan: Chronotopia

Gallery 1

24th Jan 2004 to 27th Feb 2004

About The Exhibition

A document of Norfolk's personal vision of a war ravaged landscape: "Afghanistan is unlike Sarajevo or Kigali or any other war-ravaged landscape I have ever photographed. In Kabul, in particular, the devastation has a bizarre layering, the different destructive eras lying one on top of the other..."

"I was reminded of the story of Schliemann's discovery of the remains of the classical city of Troy in the 1870s. Digging down, he found nine cities layered upon each other, each one in its turn rebuilt and destroyed. Walking a Kabul street can be like walking through a Museum of the Archaeology of War - different moments of destruction lie like sediment on top of each other. There are places near Bagram Air Base or on the Shomali Plain, where the front line has passed back and forth eight or nine times - each leaving a deadly flotsam of destroyed homes and fields seeded with landmines."

"The landscapes of Afghanistan are the scenes that I knew first from the 'Illustrated Children 's Bible 'given to me by my parents when I was a child. When David battled Goliath, these mountains and deserts were behind them. More accurately, these landscapes are how my childish imagination pictured the Apocalypse: utter destruction on a massive, Babylonian scale, bathed in the crystal light of a desert sunrise."

The Artists

Simon Norfolk