Belfast Exposed

Exhibitions

2nd Nov - 22nd Dec

Jerwood / Photoworks Awards (continued)

The 'Jerwood/Photoworks Award' exhibition continues into Gallery 2, where you can see the work by Sam Laughlin. On display in...

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2nd Nov - 22nd Dec

Jerwood / Photoworks Awards

Belfast Exposed is delighted to present the second Jerwood / Photoworks Awards exhibition. Following our involvement as a tou...

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Community

10th May - 10th Aug

In Full Bloom Exhibition – Experiences

The showcase of work in the Arts Care In Full Bloom Exhibitions - Experiences, exhibiting in Belfast Exposed’s Studio Galle...

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1st Apr - 24th Apr

Living in the Moment

Living in the moment is a collaboration between Belfast Exposed and a group of tenants from Mullan Mews and Sydenham Court, t...

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Afghanistan: Chronotopia

Gallery 1

24th Jan 2004 to 27th Feb 2004

About The Exhibition

A document of Norfolk's personal vision of a war ravaged landscape: "Afghanistan is unlike Sarajevo or Kigali or any other war-ravaged landscape I have ever photographed. In Kabul, in particular, the devastation has a bizarre layering, the different destructive eras lying one on top of the other..."

"I was reminded of the story of Schliemann's discovery of the remains of the classical city of Troy in the 1870s. Digging down, he found nine cities layered upon each other, each one in its turn rebuilt and destroyed. Walking a Kabul street can be like walking through a Museum of the Archaeology of War - different moments of destruction lie like sediment on top of each other. There are places near Bagram Air Base or on the Shomali Plain, where the front line has passed back and forth eight or nine times - each leaving a deadly flotsam of destroyed homes and fields seeded with landmines."

"The landscapes of Afghanistan are the scenes that I knew first from the 'Illustrated Children 's Bible 'given to me by my parents when I was a child. When David battled Goliath, these mountains and deserts were behind them. More accurately, these landscapes are how my childish imagination pictured the Apocalypse: utter destruction on a massive, Babylonian scale, bathed in the crystal light of a desert sunrise."

The Artists

Simon Norfolk