Belfast Exposed

Exhibitions

2nd May - 1st Jun

Can you hear me now?

Can you hear me now?! (2024) is a durational piece based on content shared on the artist’s social media, linked to the resu...

Read More
2nd May - 29th Jun

Inquiry

This exhibition is an ongoing body of work by Chad Alexander. The series was created in Belfast and centres on people, predom...

Read More

Community

25th Sep - 7th Oct

Young People Behind the Lens

Over the summer, a group of young people from Start 360 explored the cityscape of Belfast. They found new ways to see the...

Read More
21st May - 22nd May

Showing the faces of dementia with Alzheimer’s NI

Ahead of the Alzheimer’s Society Annual Conference 2019 (ASAC19), Belfast Exposed was commissioned by Alzheimer’s NI to w...

Read More

Afghanistan: Chronotopia

Gallery 1

24th Jan 2004 to 27th Feb 2004

About The Exhibition

A document of Norfolk's personal vision of a war ravaged landscape: "Afghanistan is unlike Sarajevo or Kigali or any other war-ravaged landscape I have ever photographed. In Kabul, in particular, the devastation has a bizarre layering, the different destructive eras lying one on top of the other..."

"I was reminded of the story of Schliemann's discovery of the remains of the classical city of Troy in the 1870s. Digging down, he found nine cities layered upon each other, each one in its turn rebuilt and destroyed. Walking a Kabul street can be like walking through a Museum of the Archaeology of War - different moments of destruction lie like sediment on top of each other. There are places near Bagram Air Base or on the Shomali Plain, where the front line has passed back and forth eight or nine times - each leaving a deadly flotsam of destroyed homes and fields seeded with landmines."

"The landscapes of Afghanistan are the scenes that I knew first from the 'Illustrated Children 's Bible 'given to me by my parents when I was a child. When David battled Goliath, these mountains and deserts were behind them. More accurately, these landscapes are how my childish imagination pictured the Apocalypse: utter destruction on a massive, Babylonian scale, bathed in the crystal light of a desert sunrise."

The Artists

Simon Norfolk