Belfast Exposed

Exhibitions

6th Feb - 30th Mar

Navigating Queer Landscapes

We are delighted to be working with the Queer Artist Forum to bring the work of two of its members to Embrace Style, the incl...

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7th Mar - 23rd Mar

Memorial UnMemorial

Artist Gwen Stevenson embarked on a poignant year-long durational performance, marking the 25th Anniversary of the Good Frida...

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Community

25th Sep - 7th Oct

Young People Behind the Lens

Over the summer, a group of young people from Start 360 explored the cityscape of Belfast. They found new ways to see the...

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21st May - 22nd May

Showing the faces of dementia with Alzheimer’s NI

Ahead of the Alzheimer’s Society Annual Conference 2019 (ASAC19), Belfast Exposed was commissioned by Alzheimer’s NI to w...

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The Examination Room

Gallery 1

29th Apr 2005 to 10th Jun 2005

About The Exhibition

Following an exhibition of work by Jo Spence examining the place of the individual within the institution of the family, Belfast Exposed Photography was pleased to show work by Catriona Grant which further interrogates the relationship between public institutions and private experience.

Through large format photographs, Grant bases The Examination Room in what appears to be a disused hospital building. Unclothed female figures occupy redundant, utilitarian interiors. The figures stand and sit with their backs turned to us, with their faces hidden. Although their bodies are exposed and vulnerable, available for examination, we have no way of knowing how they are feeling, whether they are anxious or tired, relaxed or upset. For all that they show these are very private images relating to common individual experience of areas of life often hidden from view. Most people have experienced sitting alone in a treatment room waiting to be seen by a consultant or doctor. The room can often feel oppressive and claustrophobic, with little to distract the mind, as one finds oneself surrounded by slightly menacing-looking medical furniture. There is an inevitable anxiety attached to these situations. It is held that the institution has the power to rid the body of its problem, so the individual must concede to its authority. The process of implicitly trusting and exposing oneself to a stranger is enabled by the impersonal and formal context of the institution.

Grant's work picks up on the subtlety and complexity of the relationship between individual and institution. Using long exposures she blurs the outline of the figure, the boundary between it and its environment, yet the figures remain distinct and self-contained as they turn from the viewer and wait. The individual must be intimately observed by the institution in order for it to perform its function, but they must at the same time feel, and be made to feel, remote from the necessary acts of intrusion. It is a precarious and paradoxical relationship.

The Artists

Catriona Grant

Artist Biography

Catriona Grant is an Edinburgh-based artist working with lens-based and digital media to create work for exhibition and installation. She lectures part-time at Edinburgh College of Art. She received her BA (Hons)Fine Art from Glasgow School of Art in 1986 and an MSc Electronic Imaging from Duncan of Jordanstone College of Art & Design, Dundee in 2001.

Recent exhibitions include: Masquerade: Women's Contemporary Portrait Photography, Photofusion, London, UK (2004); Bratislava Month of Photography, (2004); The Examination Room, 511 Gallery, New York, USA (2003) and Frontstore Gallery, Basel, Switzerland (2003). The Examination Room is currently featured in Next Level, Edition 02 Volume 03. She has been the recipient of a number of commissions and residencies including a recent artists' exchange residency in Slovakia, an IAAB residency (International Artists Exchange, Basel, Switzerland, 2003), an EMARE Residency (Werkleitz, Germany, 2001) and a New Media Scotland digital art commission (2001). Her work is held in a number of public and private collections including: The Polaroid International Collection; The National Galleries of Scotland; the Cristoph Merian Foundation, Basel; the MAG Collection, Ferens Art Gallery, Hull.