Belfast Exposed


6th Apr - 20th May

Jerwood/Photoworks Awards 4 Touring Exhibition

Belfast Exposed is delighted to be hosting the Jerwood/Photoworks Awards 4 Touring Exhibition from 6th April – 20th May 202...

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2nd Feb - 18th Mar

Futures Curator Award: Nothing But A Curtain

Belfast Exposed presents a  journey along the former Iron Curtain from Polish-born documentary photographer Zula Rabikowska,...

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24th May - 25th May

Belfast Exposed Photography Academy Showcase 2022

Belfast Exposed is proud to present The Belfast Exposed Photography Academy Showcase 2022, an exhibition featuring work from ...

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14th Oct - 25th Nov

Looking Through Our Eyes

Belfast Exposed present a photographic exhibition exploring the theme of portraits by a group of individuals who have an acqu...

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The Examination Room

Gallery 1

29th Apr 2005 to 10th Jun 2005

About The Exhibition

Following an exhibition of work by Jo Spence examining the place of the individual within the institution of the family, Belfast Exposed Photography was pleased to show work by Catriona Grant which further interrogates the relationship between public institutions and private experience.

Through large format photographs, Grant bases The Examination Room in what appears to be a disused hospital building. Unclothed female figures occupy redundant, utilitarian interiors. The figures stand and sit with their backs turned to us, with their faces hidden. Although their bodies are exposed and vulnerable, available for examination, we have no way of knowing how they are feeling, whether they are anxious or tired, relaxed or upset. For all that they show these are very private images relating to common individual experience of areas of life often hidden from view. Most people have experienced sitting alone in a treatment room waiting to be seen by a consultant or doctor. The room can often feel oppressive and claustrophobic, with little to distract the mind, as one finds oneself surrounded by slightly menacing-looking medical furniture. There is an inevitable anxiety attached to these situations. It is held that the institution has the power to rid the body of its problem, so the individual must concede to its authority. The process of implicitly trusting and exposing oneself to a stranger is enabled by the impersonal and formal context of the institution.

Grant's work picks up on the subtlety and complexity of the relationship between individual and institution. Using long exposures she blurs the outline of the figure, the boundary between it and its environment, yet the figures remain distinct and self-contained as they turn from the viewer and wait. The individual must be intimately observed by the institution in order for it to perform its function, but they must at the same time feel, and be made to feel, remote from the necessary acts of intrusion. It is a precarious and paradoxical relationship.

The Artists

Catriona Grant

Artist Biography

Catriona Grant is an Edinburgh-based artist working with lens-based and digital media to create work for exhibition and installation. She lectures part-time at Edinburgh College of Art. She received her BA (Hons)Fine Art from Glasgow School of Art in 1986 and an MSc Electronic Imaging from Duncan of Jordanstone College of Art & Design, Dundee in 2001.

Recent exhibitions include: Masquerade: Women's Contemporary Portrait Photography, Photofusion, London, UK (2004); Bratislava Month of Photography, (2004); The Examination Room, 511 Gallery, New York, USA (2003) and Frontstore Gallery, Basel, Switzerland (2003). The Examination Room is currently featured in Next Level, Edition 02 Volume 03. She has been the recipient of a number of commissions and residencies including a recent artists' exchange residency in Slovakia, an IAAB residency (International Artists Exchange, Basel, Switzerland, 2003), an EMARE Residency (Werkleitz, Germany, 2001) and a New Media Scotland digital art commission (2001). Her work is held in a number of public and private collections including: The Polaroid International Collection; The National Galleries of Scotland; the Cristoph Merian Foundation, Basel; the MAG Collection, Ferens Art Gallery, Hull.